by Jason Heath One would have to be crazy to go into music for the money. Dozens of career paths spring to mind (medicine, law, web development, programming, engineering, etc.) that have great salaries and benefits and ample opportunities for employment. Music careers by and...
Analysis
by Adisa Lasesco When I was a young, wild-eyed graduate student at a small Midwestern university, I was given the opportunity to substitute for a professor away at a conference..
by Oronte Churm Sam Walton—huckster, billionaire, icon of the self-made movement—is proof that a representative democracy with a market economy permits class movement if you sell enough discounted panties. The.
by Elizabeth J. Carter In a recent poll taken on the AdjunctNation.com website, we asked our visitors to tell us whether they think anti-intellectualism is on the rise. A startling 86 percent said yes. Our poll format does not allow voters to append their yeas,...
by Elizabeth J. Carter A policy is a temporary creed liable to be changed, but while it holds good it has got to be pursued with apostolic zeal.—Mohandas Gandhi The.
by Henry Rodgers Lettori Litigation in Europe European Court of Justice (ECJ) : Based in Luxembourg, the ECJ is the pinnacle institution of the European Union with supremacy over all.
by Elizabeth J. Carter Compare and contrast the following scenes from the Chicago Tribune and CNN.com: March 26, 2003, in the rotunda of Low Library at Columbia University: professors have gathered at an anti-war teach-in to protest U.S. military involvement in Iraq. At some point...
by Elizabeth J. Carter The unveiling this past November of the first-ever collective-bargaining agreement between 2,000 part-time faculty and administration at the New School was met with widespread public attention.
by Laurie Henry Michael Chabon, “Wonder Boys”, 1995; Jane Smiley, “Moo”, 1995; Don DeLillo, “White Noise”, 1985; Gail Godwin, “The Odd Woman”, 1974; Alison Lurie, “The War Between the Tates”, 1974;.
by Laurie Henry Michael Chabon, “Wonder Boys”, 1995; Jane Smiley, “Moo”, 1995; Don DeLillo, “White Noise”, 1985; Gail Godwin, “The Odd Woman”, 1974; Alison Lurie, “The War Between the Tates”, 1974; John Barth, “The End of the Road”, 1967; Randall Jarrell, “Pictures From an Institution”, 1952; Mary...
